John Pawson's

Alex Eagle
Miranda July
Ana Kras
Daniel Arsham
Emma Champtaloup

When is a little just enough? When John Pawson emerged in the 1980s, the idea of pared back minimalism was not as desirable as it has become. The architect and designer made the trend for ultra-lean linear whiteness, an emphasis on space and light, and the simple lack of stuff the norm. He has built monasteries, museums and bridges, written numerous books including a cookbook and a collection of his own digital photography and has quietly and unobtrusively become one of the most influential figures in contemporary aesthetics.

In person, he is charming, understated and dryly funny. His studio is in Kings Cross in London - he was one of the first to claim the area as a hub when most ignored it as a railway backwater. His pared down relationship to space and objects is reflected in his uniform of chinos, white shirt and a worn out but plush cable-knit oatmeal cashmere jumper. The roots of his view of the work began in Yorkshire. “We are from the West Riding -Halifax, and the Yorkshire Moors and the treeless landscapes. You've got the Peace Hall, Crossley Carpets, all made of this incredible stone. The simple architecture and the Moors without trees must have had a very strong impact,” he considers. “My father would've loved to be an architect. He was always building things at the factory, and then orangeries and things like that. I think clearly being around, having builders all the time and plans, maybe that rubbed off.” His parents were primitive Methodists, so the idea of unadorned churches or meeting halls, even unaccompanied singing was part of his upbringing.

After leaving school he was unclear of his next steps, so went on trips to India and Australia rather than university. He worked for his father for six years before heading to Japan at the age of 24 inspired by a Tony Richardson film on the Zen Buddhist monasteries there. “I had a chance to escape and Japan was only the start really, but I never got any further!” he laughs. At that time in the 1970s, Japan was not that accessible or popular. “Most English people thought it was Hong Kong. They just thought Japan was an island off China...” He lived there for four years (though only lasted in the monastery a night). “I'd seen 17th-century films - samurai wandering around beautiful things, having tea ceremonies, so that's what I thought it was. I was so naive and it was all overhead cables and concrete boxes and I wasn't even in Tokyo! I was in Nagoya.”

When Pawson returned to the UK and studied architecture, taking those Eastern influences into what became the mainstream transformed ideas of what architecture could be. That Zen-like approach to design and culture made a huge impact. People’s homes, galleries and desires have been transformed as a result of his view on light and experience in space.

A perfect example of how that still emerges in his work is his incredible design for the Feuerle Collection in Berlin. The space was created to house the collection of Désiré Feurle, a collector and dealer passionate about historical oriental art from the 6th century, Chinese furniture and contemporary art. “To actually get hold of a bunker at that scale is quite extraordinary. It's a single story above ground and the walls are three meters thick, and the ceiling is nearly four meters thick, of solid concrete of the highest quality with the most amazing steel bars strengthening it. The columns are these incredible proportions. It's all laid out in a really elegant way,” he explains. “The lower basement had been flooded by the canal next door, so looked amazing. We kept the feeling of an underground lake and just cleaned it up, which is a huge job.” The install of the collection, which begins with an entirely dark space and the music of John Cage, is strongly intertwined with the sense of the architectural space. It is undoubtedly one of the most beautiful and atmospheric private art collections to open this century.

In contrast, Pawson also oversaw the very public Design Museum in London’s Holland Park, which instead of intimacy was created to work with a very large audience in a very open space. “The brief was quite programmatic,” the architect explains. “We knew what had to be fitted - two large exhibition rooms, four temporary shows, a permanent collection, the school stuff, the café, shop... The planners insisted that we kept the atrium near the original size. If you do a place, which attracts a million visitors in a year, you run the whole gamut of people's expectations or requirements. On the opening night, Terence Conran gave a speech to all in attendance.”

The bread and butter of Pawson’s career has been adapting other buildings rather than creating from scratch but he still enjoys that process of adaptation. “I'm English. I started doing stuff in London in the late 70s, early 80s. For me, architecture is anything from where you put your hand to changing space, even if it's an object. So it never bothered me that I started doing people's flats, or interiors, or offices, or galleries - because it was London and most of those were readapting existing places.” His first house was in Majorca and the first monastery in the Czech Republic. He notably created Calvin Klein’s flagship store in New York and has worked extensively with hotelier Ian Schrager. A new hotel in Jaffa opens this year and a Schrager hotel in West Hollywood. Pawson won the Isamu Noguchi award in 2017, another designer and artist who crossed the borders between Eastern and Western aesthetics. Pawson’s practise keeps growing.

Buildings are not just the extent of Pawson’s work. Pawson is hugely popular with younger generations, as seen by his large Instagram following. He has made six books with Phaidon. He has created cups and vessels, an extension of whatever his approach to life is. “It's nice to do new things. I tend to do things because either I'm asked or you kind of need them. It's not that I want everything to be my world or anything, but it is nice to see what effect they have on the architecture. Everything has an effect. If you're offered a ballet set, you say yes!” Pawson created the set for Wayne McGregor one-act ballet Chroma for the Royal Opera House, which has toured since 2006.

Pawson’s process is brief responsive. “We've been very lucky because the sort of people who've come to us have already chosen beautiful places to put their houses or interesting flats. It's a balancing act because you have to obviously listen and be pleasant, but also get the atmosphere at the place. And I take a lot of photographs. You take everything, the village, the flora and fauna, the views. You take literally hundreds of pictures and you listen to them and I write notes discreetly,” he explains. “They're looking at you for the Eureka, they're wanting to see the creative genius, and of course sadly it's all hard work and in applying yourself you're sort of grinding away really. The great thing about architecture is that it's very collaborative. We're just building buildings.

There is an emotional side to the spaces Pawson creates, and he is aware of that sense of feeling. “Most times people walk into things we've done, and thank goodness, you can see a reaction. People do go "boo" or whatever they do. That's how it's supposed to feel. I think that's the big litmus test for me,” he considers. “It's a wow space in terms of subtle wow.”

By Francesca Gavin for Semaine.

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Interior

Interior

No waste of Space

From the Okinawa House in Japan to Nový Dvůr - a monastery in the Czech Republic, John's minimalist spaces are always accentuated in the right places to create a specific atmosphere. This edit will ensure you learn from the very best, to make sure that your space is being utilised and not overfilled with unnecessary pieces.

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Recipe

Recipe

Soufflé for the soul

Together with Annie Bell, in the early 2000s, John ventured into another realm of design... food. Going beyond the food itself and looking at the whole context in which we enjoy a meal, we are confident that John's soufflé will always rise perfectly...

Ingredients

  • 40g butter, plus extra for greasing
  • 40g plain flour
  • 300ml whole milk
  • 20g white breadcrumbs
  • 4 large free-range eggs
  • ½ tsp English mustard powder
  • 100g gruyère, finely grated
  • 50g parmesan, finely grated

Method

01

Pre-heat the oven to 200C and put the kettle on. Melt the butter in a pan, and stir in the flour. Cook, stirring, for a couple of minutes, then whisk in the milk until smooth. Heat gently until it comes to the boil, then simmer for 5 minutes, stirring, until thickened, but still pourable, then transfer to a large bowl and set aside to cool slightly.

02

Meanwhile, brush 6 small ovenproof dishes with melted butter, and coat with breadcrumbs. Separate the eggs, and put the whites in a large clean bowl. Half fill a roasting tin with boiling water and put it in the oven.

03

Stir the mustard powder, 75g gruyère and all the parmesan into the sauce and, when smooth, add the egg yolks, one by one. Finally, add the rest of the cheese.

04

Whisk the egg whites with a pinch of salt until stiff, but not dry or grainy, then stir a couple of spoonfuls into the mixture to loosen it. Very slowly and gently fold in the remainder with a spatula. Divide the mixture between the ramekins, being careful not to fill them all the way to the top.

05

Put them in the bain marie and bake for about 12 minutes, until well risen and golden, then serve immediately.

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Bookshelf

Bookshelf

Building blocks

Amongst the many publications that are actually written by John, and the publications that include John's work, this expert list of books shows you the world of design in multiple contexts. From food to modern architecture, some of the world's most interesting structures are explored through the pages of these books.

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Movies

Movies

John's cinema

With picks that are surely inspired by his time spent living in Japan, this list of films is the perfect way for you to unwind and get lost in a different world for a little while.

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Playlist

Playlist

Old turks

On a first look, it's a little confusing to understand that John is the father of record label, Young Turks, founder Caius Pawson... "I don't listen to music, to be honest. I don't like it on when I'm working and I don't do much at the house, and I don't like it when I'm sat exercising, apart from pilates. I don't jog with things in my ear, or cycle, I think it's dangerous and I like to hear things." However, he does have a particularly emotional connection to music.

"Certainly in my life, when I was young, I was obsessed trying to see all these people. In Paris you had John Coltrane and Sonny Rollins and all these people playing on the same night but in different clubs! In Japan in the 70s, when I was there, you had these clubs which were obsessive, you could go to a bar and they had 10,000 records, and all just jazz. It was amazing."... An eclectic mix of everything from Buddy Holly to Sampha to JS Bach's Organ Works... This playlist is a musical education of sorts.

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Travel

Travel

Pawson's favourite places

This is the definitive list of places that John finds most inspiring. From the scarce South African, Karoo Desert to the Katsura Imperial Villa of Japan, John's international selection of buildings and structures are what inspired him to first create and to still create, and luckily for you, we've listed exactly where you can find them...

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Until next time...

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